最后说明一个方法论问题:任何人在撰写关于德勒兹的论著时都面临着一个无法解决的特殊困难。德勒兹最重要的四部著作是以哲学史上独一无二的合作方式与费利克斯·瓜塔里(劭Guattari)共同撰写的。瓜塔里本身就是一位重要的理论家,而且其诸多著作值得仔细研读和讨论。毫无疑问,他在内容上和形式上都对合著贡献良多。与德勒兹或瓜塔里各自的创作不同,德勒兹-瓜塔里的合著显然充满着幽默、能量和胆识。但是我们不能在这些合著中把德勒兹和瓜塔
AI时代,有人焦虑失业,有人偷偷变强,不写代码不烧脑~
相关语录
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Deleuzeelaboratesontheconceptofvisionsandauditions,suggestingfinallythatliterature’svocationisalwaystopushlanguagetoitsoutside,andintheprocesstoopenwordstotheworld.
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ForDeleuzeandGuattari,languageisaformofaction,andlinguisticregularitiesaremerelypartialcomponentsofpowerstructuresthatenforceregularpatternsofpractice.Whenwriterssubvertphonetic,sy
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Sade’suniverseisoneofrationaldelirium,ironicdemonstrationandreiteratedmechanicalmovement,whereasMasoch’sisoneofimaginaryphantasy,humorouseducationandfrozensuspension.
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Thelineofflightultimatelyisthetrajectoryofaprocessofbecoming-other,thecourseofalinethatalways“passesbetween.”Thelineofflightisbothinsideandoutsidelanguage,anditspresenceisman
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萨德和马索克通常被视为他们名字所代表的性倒错(perversions)的典型病例,但德勒兹认为他们都是权力与欲望的社会结构的伟大症状学家。这两位作家创造了各自的复本(double)世界,这个复本世界作为某种文化批评形式发挥作用并打开生命的新可能性。但德勒兹认为,二者所构想的世界彼此不可通约,并且,我们不能错误地将其理解为施虐受虐恋(sadomasochism)综合征。萨德的世界充满着理性的谵妄(delirium)、反
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SadeandMasochareoftenviewedasspecimensoftheperversionsassociatedwiththeirnamesbutDeleuzearguesthateachisagreatsymptomatologistofsocialstructuresofpoweranddesire.Eachfashionsado
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ThisnarrativeoftheLawisnomerefictionforDeleuzeandGuattari,fortheyarguethatinTheTrialKafkadisclosesthe“diabolicalpowersofthefuture”—thoseofNazism,Stalinismandbureaucraticcapitali
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与萨德和马索克的情形如出一辙,卡罗尔和阿尔托也通常被视为心理疾病的样本,某些情况下还被视为同一种疾病——精神分裂症(schizophrenia)。通过分析阿尔托对诗歌《伽卜沃奇》(“Jabber-wocky”)的意译,德勒兹指出,卡罗尔和阿尔托处于截然不同的世界中,并且二者都是具备罕见洞识的症状学家和拓扑学家。卡罗尔倒错的无意义话语(nonsense)展露出一个表面(surfaces)和事件(events)的世界,这
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Deleuze and Guattari argue that Kafka’s concept is less one of a literature written by a linguistic or cultural minority per se, than one of a literature issuing from a minor usage of language, that is, from a
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DeleuzereferstoProust’sAlarecherchedutempsperduas“ageneralsemiology,asymptomatologyofworlds”

