The rigorous method that Tarkovsky developed for executing this rather expansive conception ensured that the material itself would be allowed to dictate its own rhythm and structure. Although the original title
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Tarkovsky gave one of his clearest definitions of atmosphere apropos of Stalker: [The film] does not surprise and does not entertain the spectator with unexpected shifts of action and the plot. This, in my view
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Tarkovsky frequently spoke of the inevitable subjectivity of a director’s adaptation of literary works. In literary prose, Tarkovsky wrote, ‘the reader sees what he has been taught to see by his experience, cha
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Tarkovsky spoke repeatedly of the footage of the crossing of the Lake Sivash, a marshy region of the Crimea that had also been the site of bloody fighting in the Russian Civil War.I had never seen anything of
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The success of Ivan’s Childhood emboldened Tarkovsky to try a radical experiment in poetic storytelling in the screenplay of Andrei Rublëv, co-written with Andron Konchalovsky. Moreover, Tarkovsky unapologetica

